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If you have not received any information after contact with Star Track, please contact us to confirm that the address for delivery logged with us are correct.For enquiries regarding the delivery of your order, contact Star Track Customer Service on 13 23 45 - and quote the above consignment number.Please be aware that the delivery time frame may vary according to the area of delivery - the approximate delivery time is usually between 1-2 business days.The consignment number is emailed to you along with the invoice at the time of shipment. You can track your delivery by going to StartTrack tracking using your consignment number. We will then contact you with the appropriate action. If you have not received any information after contact with Australia Post, please contact us to confirm that the details for delivery logged with us are correct.If you have not received your delivery following the estimated timeframe, we advise you to contact your local post office first, as the parcel may be there awaiting your collection.
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Please be aware that the delivery time frame may vary according to the area of delivery and due to various reasons, the delivery may take longer than the original estimated timeframe.
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Order may come in multiple shipments, however you will only be charged a flat fee.ġ-2 days after each item has arrived in the warehouseġ The expected delivery period after the order has been dispatched via your chosen delivery method.ģ Please note this service does not override the status timeframe "Dispatches in", and that the "Usually Dispatches In" timeframe still applies to all orders. Items in order will be sent via Express post as soon as they arrive in the warehouse. Order may come in multiple shipments, however you will only be charged a flat fee.Ģ-10 days after all items have arrived in the warehouse Items in order will be sent as soon as they arrive in the warehouse. Les chercheurs qui ont contribue a ce nouvel essai tentent d'analyser, de livrer des cles, de donner a reflechir sur la reception de formes poetiques et esthetiques qui hantent la scene. L'intention de revenir sur une pratique theatrale qui rompt avec l'horizon d'attente du spectateur d'un art bonasse (comme l'ecrit Alain Badiou) devait nous conduire a ce recueil de commentaires. S'il faut avouer, comme l'ecrivit Jean-Francois Lyotard, que devant l'etrangete de ces productions nous etions face a des intrigues plastiques moins monnayables, racontables, signifiables le rejet, la condamnation, le proces etaient-ils de mise ? L'idee de parler de ces reactions vives, d'y consacrer un colloque et un temps de reflexion, s'est alors imposee. En 2005, dans le tumulte du festival d'Avignon, croisant des creations malmenees par la presse et une partie des spectateurs, l'informe, le difforme et le conforme s'imposaient comme des ouvertures propres a repondre aux interrogations comme aux jugements des detracteurs du festival et de ses artistes (notamment Anatoli Vassiliev, Jan Fabre et Pascal Rambert, entre autres).